Late January marks the release of the first highly-anticipated release of 2016: Chairlift's "Moth." Formed by frontwoman Caroline Polachek in 2005, the band's entire frame shifted in 2010 with the departure of bandmate Aaron Pfenning. Now a project run by Polachek and multi-instrumentalist Patrick Wimberly, Chairlift continues to move to their own beat, and inspire audiences with recognizable yet unparalleled strides in electronic music.
Chairlift first gained recognition in the late 2000's for their song "Bruises," which was iconically featured in Apple's iconic iPod Nano commercial. They gained acclaim from their second LP, "Something," which continued to explore the band's often surreal take on synth pop. Now on their third EP, the band draws from a wide array of influences, and the result is is extraordinary.
"Moth" is questionably Chairlift's most pop-friendly album yet, but in no way is it comfortable being labeled pop music. Laced with a broad range of synth patches, polyrhythmic percussion and cryptic lyricism, the album seems to focus in on the talents of both Polachek and Wimberly . The band tries on many different genres throughout "Moth," and they wear them all incredibly well.
"Polymorphing" is a great example of this; the album's second track showcases bright guitars and a beautiful balance between the brass and Polachek's voice. "Ch-Ching," the album's first single, showcases this balance perfectly, creating a powerful and head-turning experience. "Moth to the Flame" stands out as an ethereal, let-loose dance anthem. Polachek's filtered vocal lines seem to draw their inspiration from her feature on electronic band Deorean's 2013 LP, "Apar." (See "Unhold.") Polachek even transforms into something of a pop diva in "Show U Off," exemplifying the range and expression of a true performer. "Moth" has its final statements made in "No Such Thing as Illusion," which questions the permanence of love, and brings the album to a contemplative conclusion.
Between her work as a model, and a prolific solo career under the moniker Ramona Lisa, it's clear that Caroline Polachek possesses an artistic sensibility that continues to pave the way in indie music. With the help of bandmate Patrick Wimberly, Polachek's songs are imbued with an unrivaled unique style and sound. "Moth" unquestionably lives up to its hype, and helps to kick off the new year.
-Adam Kinyicky
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